選擇的迷思，六之餘：後悔、遺憾、習慣、失落

Barry Schwartz《選擇的迷思》 以社會科學的角度，解構我們為甚麼比以前的人多了物質多了選擇，卻越來越不開心。這本書行文顯淺，例子生活化，就像一個教授為你的選擇人生寫了綜合詳盡的 大考筆記（加上幽默的插圖），助你破解生活上越來越長多、也越來越長的選擇題。我以為是每個現代城市人必讀的一本書。

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後悔、遺憾、習慣、失落、比下去、無力感。選擇過多的副產品。有同感嗎？書裡有解困的十一個提議。

內容我不詳細寫了，反而想引一引書尾，形容我們現代的生活狀態的這一段，也是這個課題值得思考的原因：

"Here we are. Living at the pinnacle of human possibility, awash in material abundance. As a society, we have achieved what our ancestors could, at most, only dream about, but it has come at a great price. We get what we say we want, only to discover that what we want doesn't satisfy us to the degree that we expect. We are surrounded by modern, time-saving devices, but we never seem to have enough time. We are free to be authors of our own lives, but we don't know exactly what kind of lives we want to 'write'."

我姑且試譯：『我們在這兒。活在人類可能性的最高點，淹沒在豐盛的物質當中。作為一個社會，我們達到了我們祖先只能，極其量，夢想到的，但這得來是有代價的。我們得到了我們所想，才發覺我們所想並不像預期的給我們滿足。我們被現代、省時的設備包圍，卻永遠好像不夠時間。我們可自由地做我們生命的作者，但我們並不知道我們想「寫」甚麼樣的人生。』

似曾相識嗎？

A fine piece of writing...

Bloc Party is an autonomous unit of un-extraordinary kids reared on pop culture between the years of 1976 and the present day. Like many such kids, between them they eventually concluded that their own attempts to imitate what had informed them could be construed as a worthy variation on the many forms that preceded. They do everything that's required to conform to the currently received ideas of what a band is: ostensibly to play instruments at the same time, but also have a title for the work created.

Kele picked up a guitar when his hands enabled him to do so and his brain gave him the inclination. Russell had already done as much beforehand when they met in 1998. In the fine print of music papers and in telephone conversations they enabled meetings with Gordon and Matt who also had ideas of some relevance to bring to the collective effort. In this sense a band was created.

Henceforth should follow a list of auteurs and musicians that figured in the formative minds of the four as they went about their work. But to do as much seems churlish in an already self-referential world. Suffice to say there would be no band without the efforts of guitar bands formed in British and American towns in the 70s, 80s and 90s, aswell as visionary writers and artists of various kinds whose work has informed the world and culture itself as it stands. The precise names are as good as any you can come up with, in fact probably much, much better.

... and a pretty decent band too. Check them out: Bloc Party